Yet more on using vintage lenses on a modern mirrorless camera

I have done some more experimenting using old lenses. In this post I will show some close-ups with the Brownie lens, and using a 50mm Paterson enlarger lens – a budget lens from the 1970s/80s.

First I will show some of the close-up photos taken with the Kodak Brownie lens. As expected with the lens there is, not just softness around the subject, a distinct blurred halo:

Verbina in the garden taken using a lens from a Brownie six-20 (1930s-40s)
An unopened lilac coloured hosta flower in the garden taken using a lens from a Brownie six-20 (1930s-40s)
Opened lilac coloured hosta flowers in the garden taken using a lens from a Brownie six-20 (1930s-40s)

The next lens I am experimenting with is a darkroom enlarger lens supplied by Paterson who were a leading budget darkroom supplier in the 1970s-80s. This is from a secondhand darkroom kit I bought for my daughter when she was studying photography at school. I hadn’t realised how bad the lens quality was!

Flowers in a pot showing the poor quality of the old lens – only the centre is reasonably sharp
A view of the garden, also taken with the Paterson lens, showing the distortion around the edges
A closer view in the garden also shows the distortions around the centre of the image.

There is a type of photography, the best known being Lomography, which uses non-standard techniques for aesthetic effect. I understand the Lensbaby (a more expensive brand) lenses do something similar. I am getting comparable effects using this old lens for a lot less money…

A technical note: The lens has a short focal length such that it wouldn’t focus when mounted on the front of the bellows (used for focussing). But, as the lens was small enough, I managed to mount it inside the bellows as shown here:

Paterson enlarger lens mounted inside the bellows for focussing